150: Caporetto

Italian prisoners captured during the Battle of Caporetto.

It took the Italian Army eleven bloody offensives, and hundreds of thousands of casualties, but by mid-1917, they were halfway to Trieste and it looked as if the Austrian Army was collapsing.

Germany was forced to intervene. The result was the Battle of Caporetto, a humiliating defeat for Italy.

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Playlist:

Fanfare

Opening War Theme

Cello Sonata in E minor
Composed c. 1725 by Antonio Vivaldi. Public domain.
Performed by the Telemann Trio. Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

Reminder

There will be no new episode of The History of the Twentieth Century this week. The podcast will return next week as usual with episode 150, “Caporetto.”

In the meantime, if you miss the sound of my voice, you can listen to this presentation I made at Mythmoot V, concerning my short story, “The Boy Who Didn’t Know How to Recognize a King,” in which I read an excerpt from the story and talk about how I came to write it. You can read the complete story here.


149: Passchendaele

British soldiers advancing through the blasted, sodden Flanders countryside during the Battle of Passchendaele.

By mid-1917, the Allies were in a precarious situation. The Nivelle Offensive had failed. Russia’s ability to keep up the fight was in doubt. The Americans weren’t even close to ready.

And so it fell to the British Army, commanded by Field Marshal Sir Douglas Haig, to keep up the pressure on the Germans. Haig was eager to begin a new offensive, though the Prime Minister, David Lloyd George, questioned the wisdom of such an operation.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

Second Suite for Military Band
Composed in 1911 by Gustav Holst. Public domain.
Performed by the United States Air Force Heritage of America Band. Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

148: Peace, Land, and Bread

A meeting of the Sovnarkom in the early days.

The Kornilov Affair weakened both the Army and the Russian government, such as it was. The only people coming out of those events with their reputation enhanced were the Bolsheviks.

In early November (late October by the Julian calendar) the Bolsheviks are at last ready to seize control of the government.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

Symphony No. 5 in E minor
Composed in 1888 by Pyotr Ilyich Tchaikovsky. Public domain.
Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

147: The Kornilov Affair

General Lavr Kornilov.

Almost as soon as he appointed Lavr Kornilov commander-in-chief of the Russian Army, Alexander Kerensky began to worry that Kornilov was plotting a counter-revolutionary coup.

Then came the moment Kerensky had long feared…but was it merely a misunderstanding?

  • Listen now:



Playlist:

Fanfare

Opening War Theme

In the Steppes of Central Asia
Composed in 1880 by Alexander Borodin. Public domain.
Performed by the Czech National Symphony Orchestra. Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

146: Chaos in the Army

Alexander Kerensky in 1917.

The Russian Provisional Government was looking weaker than ever, and the Kerensky Offensive only made the situation worse.

The Russian General Lavr Kornilov seemed to be the right soldier to revive the Army, but was he plotting a right-wing coup?

  • Listen now:



Playlist:

Fanfare

Opening War Theme

Symphony No. 4 in F minor
Composed in 1878 by Pyotr Ilyich Tchaikovsky. Public domain.
Performed by the United States Navy Band. Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

145: The July Days

Violence in the streets of Petrograd during the July Days.

Alexander Kerensky became Minister of War and set to work revitalizing the Russian Army and planning a new offensive against the Austrians.

But word of the new offensive did not sit well with socialists, and particularly with the Bolsheviks in the Petrograd Garrison, who rose up against the Provisional Government.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

“Farewell of Slavianka”
Composed in 1912 by Vasily Ivanovich Agapkin. Public domain.
Performed by The United States Coast Guard Band. Public domain recording. Source.

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

144: All Power to the Soviets

Military veterans protesting the return of Lenin to Petrograd in April 1917. The bottom line advises Lenin to “go back to [Kaiser] Wilhelm.”

The question of war aims comes to the front and center when the liberal ministers of the Provisional Government repeatedly refuse to renounce Russian territorial claims and agree with the Petrograd Soviet on a “peace without annexations or indemnities.”

The resulting government shake-up brought socialists into the Provisional Government and made it a government of national unity like the ones in London and Paris…except for the Bolsheviks, who refuse to temper their criticisms.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

Piano Sonata No. 3
Composed in 1917 by Sergei Prokofiev. Public domain.
Performed by Peter Bradley-Fulgoni, and used pursuant to a Creative Commons CC BY-NC-ND 3.0 license. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

143: Disabling the Russian Colossus

The then-25-year-old Vladimir Lenin in an 1895 mug shot.

The Russian Provisional Government, under the watchful eye of the Petrograd Soviet, declared an amnesty for political prisoners.

Among the political exiles taking advantage of this amnesty to return to Russia were Leon Trotsky and Vladimir Lenin, with an assist from the Imperial German government.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

Piano Trio No. 1
Composed in 1894 by Anton Arensky. Public domain.
Performed by the Chamber Music Society of Lincoln Center, and used pursuant to a Creative Commons CC BY-NC-ND 3.0 license. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

142: Lafayette, We Are Here

US Major General John Pershing pays his respects at the tomb of the Marquis de Lafayette, July 4, 1917.

The USA entered the Great War in April 1917. The US has the military and industrial potential to be a decisive force, but it will take time to “ramp up” America’s army and war production.

Brazil also entered the war in 1917, and in Canada, the introduction of conscription led to a divisive general election.

  • Listen now:



Playlist:

Fanfare

Opening War Theme

“Hail, Columbia”
Composed in 1789 by Philip Phile. Public domain.
Performed by the United States Navy Band Ceremonial Band. Public domain recording. Source.
 

Closing War Theme 



Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.