309: The Golden Age of Radio


Jack Benny.

Early radio mimicked the forms of live entertainment, particularly concerts, theatre, and vaudeville. By the late 1930s, these forms evolved into distinctively broadcast forms. Classical music concerts gave way to popular music, especially dance bands. Theatre became radio drama. And vaudeville comedy developed into humor about domestic life, becoming the situation comedy.

These forms became the template for broadcast entertainment on radio, and later television, for the rest of the twentieth century.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022, and 2023 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

308: And Now, a Word from Our Sponsor


The airship Hindenburg bursts into flames while attempting to land in Lakehurst, New Jersey on May 6, 1937.

Advertising agencies as we know them today emerged around the turn of the twentieth century. At first, they placed ads in newspapers and magazines, and were reluctant to move into the new medium of radio.

But in the United States, the attitude toward advertising on radio went from hostile to cautious to enthusiastic in about ten years. By the late 1930s, advertisers all but controlled American radio.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022, and 2023 by Mark Painter, all rights reserved. Radio commercials for Pepsodent, Bromo-Seltzer, and Signal Oil included in this episode are believed to be in the public domain, or in the alternative, that their inclusion here constitutes fair use. Some music and sound effects used by arrangement with Pond 5.

307: The Certainty Principle


Albert Einstein’s letter to President Roosevelt.

One of the great historical ironies of the twentieth century is that, at the moment when German scientists were demonstrating limits on human knowledge, the German political leadership was claiming a “monstrous certainty.”

As German research was demonstrating the feasibility of atomic bombs, expatriate scientists in the United States were sounding the alarm.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

306: The November Pogrom


Interior of a Berlin synagogue after it was gutted during the November Pogrom.

Just weeks after the Munich Agreement apparently averted war, Germany erupted in a wave of violence against Jewish people.

The world recoiled in shock. Germany had left the community of civilized nations.

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Overture to Der fliegende Holländer (The Flying Dutchman)
Composed in 1840 by Richard Wagner. Public domain.
Performed by the University of Chicago Orchestra, and used pursuant to a Creative Commons CC BY-NC-ND 3.0 license. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

305: Peace for Our Time


At the Munich summit: l. to r., Neville Chamberlain, Édouard Daladier, Adolf Hitler, Benito Mussolini, and Galeazzo Ciano.

Even before the Anschluss was completed, Adolf Hitler was already laying plans to invade and annex Czechoslovakia.

But at the last minute, Neville Chamberlain intervened, much to Hitler’s annoyance, and brokered the Munich Agreement, which ceded the Sudetenland to Germany, but preserved an independent Czechoslovakia.

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Má vlast
Composed in 1882 by Bedřich Smetana. Public domain.
Performed by the Czech National Symphony Orchestra. Public domain recording. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

304: Axis and Anschluss II


Hitler in Vienna, announcing the Anschluss to a huge crowd gathered in the Heldenplatz.

Some old-school conservatives in the German government and military feared confrontation with the Allies and resisted Hitler’s ambitious plans.

But by 1938, they were gone, and Hitler had his sights set on Austria.

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Overture to Tannhäuser
Composed in 1845 by Richard Wagner. Public domain.
Performed by the United States Marine Band. Public domain recording. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

303: Axis and Anschluss I


Hitler takes Mussolini on a tour of Berlin during his 1937 visit.

Hitler had ambitious plans for expanding Germany to the east, and he hoped that Britain and Italy would align with Germany in that effort.

An alliance with Britain proved out of reach, but by 1936, Germany and Italy were drawing closer together, while Mussolini began to speak of the “axis” between Berlin and Rome.

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Prelude to Act III from Lohengrin
Composed in 1848 by Richard Wagner. Public domain.
Performed by the United States Marine Band. Public domain recording. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

302: When You Wish upon a Star


Illustration accompanying the story “Little Red Riding Hood” in a 1909 British collection of fairy tales.

Fairy tales date back at least to medieval Germanic cultures, and probably date back much farther.

By the beginning of the twentieth century, fairy tales had been relegated to the realm of children’s entertainment, but the century would see them used in wholly new ways.

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Playlist:

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Les carnaval des animaux
Composed in 1886 by Camille Saint-Saëns.
Performed by the Seattle Youth Symphony and used pursuant to a Creative Commons CC BY-SA 3.0 license. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

301: The Marco Polo Bridge


Japanese air reconnaissance photo of the Marco Polo Bridge. You can see it lead to the Wanping Fortress, just on the other side of the river.

Following the formation of the Second United Front, Communist units were integrated into the Nationalist Army. Some of these Communist units deliberately sought to provoke war between China and Japan.

An incident at the Marco Polo Bridge on 7 July 1937 triggered a confrontation between Japan and China. Chiang Kai-shek was no longer of a mind to back down, and so the incident led to a bloody eight-year war between China and Japan.

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陽關三疊 (Three Refrains on the Yang Pass Theme)
Composed in 1867 by 琴學入門 (Qinxue Rumen)
Performed by Charles R. Tsua and used pursuant to a Creative Commons CC BY-SA 3.0 license. Source.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.

300: The Imperial Way


Banner of the rebel Japanese soldiers during the 2-26 uprising. The writing reads: “Revere the Emperor; Destroy the Traitors.”

In China, frustrated military commanders actually kidnapped Chiang Kai-shek to force him to make peace with the Communists and unite against the Japanese invaders. In Japan, radical right-wing Army officers assassinated their enemies and attempted a coup.

The end results in China were a Second United Front and a new determination to resist the Japanese. In Japan, they were a strengthened determination to dominate East Asia. War is coming.

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Hogaku
Composed and performed by Marco Randria and licensed from Pond5.com.

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Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.