The RCA partners: GE, Westinghouse, and AT&T eventually settled their disputes over the booming business of radio. A new corporation, the National Broadcasting Company (NBC) was created to manage the business of radio broadcasting and would buy up AT&T’s broadcasting business. The phone company would in the future limit its involvement in the radio business to supplying phone lines to connect radio stations.
The introduction of radio networks changed American entertainment and culture by, among other things, homogenizing it. Entertainers in New York could make good money performing over NBC; entertainers elsewhere were unlikely to get radio work at all. Radio entertainment was at first mostly music, although not jazz, which was largely banned from the airwaves. Later, radio experimented with drama, plays meant not to be seen, but to be listened to. In 1928, the first hit radio series appeared. The good news was: it pioneered a new form of entertainment, with a set cast of characters experiencing new adventures every week, and proved audiences could and would follow the story. The bad news was: It was Amos ‘n’ Andy.
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Playlist:
Fanfare
Opening Theme
Hungarian Dance No. 5
Composed in 1869 by Johannes Brahms. Public domain.
Performed by the Fulda Symphonic Orchestra and used pursuant to a Creative Commons CC BY-SA 3.0 license. Source.
The Barber of Seville
Composed in 1816 by Gioachino Rossini. Public domain.
Public domain recording. Source.
Closing Theme
Except when otherwise indicated, the contents of this podcast are © and ℗ 2015, 2016, 2017, 2018, 2019, 2020, 2021 by Mark Painter, all rights reserved. Some music and sound effects used by arrangement with Pond 5.